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Kismanyoky, however, made no attempt to oppose these currents, instead placing emphasis on a different aspect of the Bauhaus by drawing on its spirit which was very open and supportive of versatility.
In the active years of the Pecs Workshop, he engaged mostly in land art actions, concept photography and performance. From 1973 onward, as a result of these Balatonboglar impulses, such themes began to appear in Kismanyokys photos as Replacement, Concealment, Masking, Burning and Sinking which consistently outline a concentrated interest in the process and transformation, coupled with the artists serial thinking.
The exhibition also features an enamel work created by the artist in 1970, which depicts a Moebius strip and an elaborate pattern.